Monday, January 02, 2006

[Bookland] The book experience

I read this on 50 Books and thought it really hits the mark on the book-reading experience:


Because they appear on the printed page alongside articles about world events and local news, book reviews have somehow got it in their head that they are pieces of journalism. As such, writers of book reviews dwell in sensory deprivation tanks where their analysis of each book they read can percolate in a bubble of hermetically sealed objectivity.

Now, out here in the real world where a few of us live, books are read under slightly different conditions: while standing on buses, in hurried snatches in doctors' waiting rooms, while waiting anxiously for a phone call after a job interview, on beaches with a glass of sangria wedged firmly in the sand next to your towel, blurry-eyed by the light of the nightlight while rocking a teething baby.

Books are also obtained in different circumstances that affect our emotional response to them: as gifts from beloved friends or hated co-workers, as found objects in rental cabins, in the mail from the bloody book of the month club you keep forgetting to cancel, in the bowels of a used bookstore after years of searching.

There are a thousand other factors that make our experience of a book highly subjective: a dislike of certain authors and genres, a tactile distaste for hardcovers or for paperbacks, an irrational prejudice against a character because they share a name with someone you loathe, and even -- yes, it's true -- a visceral reaction to a book's cover.

So why, then, the pretense of objectivity, a pretense that's all the more ironic and unnecessary given that book lovers are the first people you can rely on to appreciate and understand -- and enjoy -- the environmental and emotional factors that colour your experience with a book?

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